Artists HE Xiangyu Representative work Selected Works Biography Past Exhibitions at SCAI Artist News Videos Artist's Website Exhibition view, The Memory of Stillness, 2024, Manshu-in Temple, Kyoto, Photo: Takeru Koroda Exhibition view, The Memory of Stillness, 2024, Manshu-in Temple, Kyoto, Photo: Takeru Koroda Exhibition view, The Memory of Stillness, 2024, Manshu-in Temple, Kyoto, Photo: Takeru Koroda Exhibition view, He Xiangyu, 2023, Sifang Art Museum, satellite space, Shanghai, China Exhibition view, He Xiangyu, 2023, Sifang Art Museum, satellite space, Shanghai, China Exhibition view, He Xiangyu, 2023, Sifang Art Museum, satellite space, Shanghai, China Exhibition view, He Xiangyu, 2023, Sifang Art Museum, satellite space, Shanghai, China Exhibition view, Mario Merz Prize 4th Edition, The finalists’ exhibition, Fondazione Merz, Turin, Italy, Courtesy Fondazione MerzPhoto Andrea Guermani Exhibition view, Mario Merz Prize 4th Edition, The finalists’ exhibition, Fondazione Merz, Turin, Italy, Courtesy Fondazione MerzPhoto Andrea Guermani "The Death of Marat (La morte di Marat)," 2011, 36 x 183 x 85 cmInstallation view, The Sigg Collection of Contemporary Art from China, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino, 2020Courtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-TorinoPhoto Antonio Maniscalco “Terminal 3,” 2016-2019, 2-channel HD video, color, 5.1 surround sound, mixed media, 35’35’’ minutes (still) “Terminal 3,” 2016-2019, 2-channel HD video, color, 5.1 surround sound, mixed media, 35’35’’ minutes (still) Exhibition view, Everything We Create is Not Ourselves, 2019, The 58th La Biennale di Venezia - China Pavilion, Venice, Italy Exhibition view, Everything We Create is Not Ourselves, 2019, The 58th La Biennale di Venezia - China Pavilion, Venice, Italy "Untitled," Bronze, 99.9% pure gold, 24 pieces, dimensions variable Installation view, Bunker #3, Boros Collection, Berlin, Germany, 2017 Credits: NOSHE / Courtesy Boros Collection Berlin "Everything We Create is Not Ourselves 192 ," 2016, Japanese ink, watercolor, pencil, acid-free oil-based marker on paper, 25x25cm, 192 piecesCourtesy the artist and White Space Beijing "Olive Oil—Past is Prologue," 2015, Olive oil, pencil, 586 × 1560 cm, dimensions variable Courtesy the artist and White Space Beijing Exhibition view, Crossed Beliefs, 2013, SCAI THE BATHHOUSE Exhibition view, Crossed Beliefs, 2013, SCAI THE BATHHOUSE Exhibition view, Crossed Beliefs, 2013, SCAI THE BATHHOUSE
